Whether I am doing drastic transient design or just minimizing the bleed, I’m usually more than happy with the result It does not have a variable attack setting, but I find that between the 2 attack settings, it gives me enough variation for how I want the transients to feel. I love how easy and versatile this compressor is to use. Plus, it’s a timeless sound (despite being a digital emulation rather than the real thing), and in my opinion and has shaped countless albums and songs that are some of my favourites. The EQ section is one of the main reasons I chose this plugin. It’s a broad EQ section and I find that it is quite effective throughout a variety of genres and situations. My choice ended up being the Waves SSL E-Channel. You can only bring 3 plugins, what are they?!? Here’s my desert island plugins: Waves SSL E-ChannelĪ channel strip that has EQ, Compression, and a Gate is probably where most of us would start when we can only take 3 plugins with us. So, you’re trapped on this metaphorical island with nowhere to go but you have great mixing monitors and an awesome control room built out of driftwood and coconuts as diffusers. On this blog, I decided to do something a little different and fun. Let’s play desert island plugins! I’m hoping this will spark some conversations with everyone out there on the interwebs, as I’m sure we’ll all have very different opinions on what is necessary on our desert island studio.
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